![]() ![]() Then select the add-on program you want to activate and enter its serial number into the corresponding window. If you don't own an account, register to continue with the installation.ĥ. ![]() Now log into your existing FXHome account. Copy the link provided into your browser.Ĥ. Once you restart your version of MAGIX Movie Edit Pro/Video Pro X/Photostory Deluxe, you'll find the installed add-on program in the Media Pool under "Effects".ģ. This completes the installation and activation process for your FXHome add-on program. You will find this number either on the insert card (box version), in the email you received following purchase (download version/offers), or directly within Movie Edit Pro/Video Pro X/Photostory Deluxe under "Effects" > "Extra effects" >, click on the tile of the add-on program (only for coupon codes).Ħ. Enter the serial number for the add-on program you want to activate into the corresponding window. Then click on "Register a new Serial Code".ĥ. Log in using your existing FXHome account details. If you don't own an account, register to continue with the installation.Ĥ. You can now activate the add-on software by clicking on "ACTIVATE & UNLOCK". After the installation process is complete, the FXHome app manager will open. Select the set-up type for the installation. Read and confirm the license agreement.Ģ. It’s available from all good design bookshops and online at the Eye shop. More about the agency at More about sound and vision in Eye 76, our Music design special issue.Įye is the world’s most beautiful and collectable graphic design journal, published quarterly for professional designers, students and anyone interested in critical, informed writing about graphic design and visual culture. For designers, musicians and listeners, the twelve-inch sleeve lives on as one of music’s most popular metaphors.īelow: Opening screen of the interactive album With all the technological advances we’ve had in recorded music, it’s nice to see the vinyl form living on – even in the most modern of formats. ‘It functions something like a micro site giving the listener access to all of the music plus extra tracks unavailable on the physical formats, additional content including photos, video galleries, making of interviews, biogs, lyrics, etc., and hidden content that the listener can discover by playing with the material.īig Active created graphical record sleeves for all of the recorded material and information, aiming for an experience that is like ‘having a flick through Mark Ronson’s record collection’. ‘The iTunes Album is basically an interactive format that you download as the digital version of the album,’ explains Saint. And for their recent work with Mark Ronson, Big Active have been exploring the iTunes Album format (out now!). That is, putting together an integrated campaign which covers everything from album art and promotion to merchandising and the live experience. In the Eye interview, Saint describes Big Active’s approach to music design as an exercise in ‘creative management’. Top and below: Assorted interactive screens from Mark Ronson’s interactive iTunes album, designed by Big Active. ITunes uses tiny thumbnail ‘covers’ to fulfill the graphic role that record and CD sleeves used to, yet new releases are still promoted on posters and giant billboards: ‘How do you devise a definable image that at one point is the size of a postage stamp, and next is the size of a fucking house.’ Saint has found that contemporary music design faces some interesting problems. In ‘ Make music visible’, in Eye 76, the music design special issue, we spoke to Big Active’s Gerard Saint about the future of music design (see ‘Make music visible’). ![]()
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