![]() ![]() Simply activate Flex Time on an audio clip, select a Flex Mode (Slicing, Rhythmic, Monophonic, Polyphonic, Tempophone and Speed) and a marker is created at every transient point. Logic has moved on, certainly, but in comparison to what its peers have achieved in the same timeframe, the progress between Logic Pros 6 and 8 has been medium-paced at best, and in some areas, the application could be described as positively backwards next to the competition.Įver since Ableton burst onto the music software scene with its seminal Live DAW, every major developer has rushed to build its own take on 'elastic audio', and although it's taken Apple longer than most, its implementation is elegant and effective. ![]() "Logic Pro can proudly consider itself an absurdly feature-rich and, in several areas, way-ahead-of-the-curve software studio once again." With Steinberg and Cakewalk reliably packing ingenious new features and workflow enhancements into their annual Cubase and Sonar updates, and Ableton redefining the philosophy of what a DAW should be with Live, it's felt rather as if Apple has had its audio team spending the vast majority of its time on GarageBand - admittedly, a hugely worthwhile endeavor, but not one of great interest to serious music producers. Since then, Logic Pro (the name was changed for version 6) has developed, certainly, but not exactly at the rate many hoped it would. Not only were their computers being designed in Cupertino, but now their DAW of choice was, too, implying not only rock-solid stability but also a symbiosis of hardware and software that could bring who knew what sort of game-changing features with it. ![]()
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